Recognising chords
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All Students preparing for Grade exams are recommended to use the Hofnotes on-line training pages to practise for the aural tests. 

At higher grades  you must be able to discuss with the examiner musical features such as texture, form, style, and period of a piece of music.  My own  web pages to help with these parts of the test at Grade 5+ and at GCSE are available here!

 

 

 

 


Identifying chords you hear

At Grade 5, it is sufficient to be able to identify and use the main chords used in cadences.

These are chords:

 I        tonic                            Play the first and last chords in this sequence are tonic chords

IV       subdominant                   Play  the second chord in this sequence is the subdominant

V        dominant                  Play the third chord in this sequence is the dominant

In your own compositions you will probably have been adding chord ii to the mix, and you will have been encouraged to spot chord vi in an interrupted cadence Play

With this palette it is possible to harmonise most tunes in a simple and effective way.  At Grade 6 however you will be called upon to recognise and use triads built on all the notes of the scale.  You will also add a 7th above the root to some of your supertonic and dominant chords.

You will have heard the 'magnetic pull' between the dominant and tonic chords in music.  Adding the 7th strengthens this effect because of the need for the 7th to resolve to the third in the tonic chord.  Play

You can also strengthen the pull between the supertonic and the dominant by adding the 7th.  When this chord is in first inversion it produces a satisfying bass line too.

Play


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Last updated on: 10/10/2011