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All Students preparing for Grade exams are
recommended to use the Hofnotes on-line
training pages to practise for the aural tests.
At
higher grades you must be able to discuss with the examiner musical
features such as texture,
form,
style, and
period of a piece of music.
My own web pages to help with these parts of the test at Grade 5+ and at
GCSE
are available
here!
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Rondo form
A Rondeau was
a French round dance, the chorus (or rondeau) being sung by the
dancers, in between solos (or couplets).
Couperin's
Barricades Mysterieuses is in rondo form
Used as a form in later
compositions, there are two variants:
- old rondo form
- modern rondo form
Old rondo form
Very close to the old rondeau
dance and heard throughout Western musical history since.
Especially important in the writing of Corelli, Scarlatti, Handel
and Bach. The design is:
Subject - Episode - Subject - Episode - Subject.
It is an extension of the simple
ternary outline.
And just as the example of ternary form
was the minuet and trio, a minuet with two trios (for example
the scherzo and trio in Schumann's First Symphony) is an excellent
example of the modern rondo form.
Modern rondo form
or Rondo Sonata Form
A more complex structure, involving as for sonata form:
- exposition
- middle section/episode
- recapitulation
Exposition
- First subject (tonic)
- Bridge
- Second subject (related)
- First subject (tonic)
Episode/Middle section
- new subject, or
- development, or
- a bit of both
Recapitulation
- first subject (tonic)
- bridge
- second subject (tonic)
- first subject (tonic)
Play through the second movement of Beethoven's Pathétique
Sonata No 8 (Adagio Cantabile).
Are you able to identify the different episodes? What do you notice about their tonality?
Play through the final movement of the Pathétique.
What do you notice when you try to
identify the episodes?
Vladimir Horowitz's interpretation
of the Beethoven
Pathétique Sonata No 8 (Adagio Cantabile)

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